Category Archives: cabinetmaker

OLD ‘ARN……IS THE BEST ‘ARN

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Hello, I’m The Madcap Woodwright, and I am an old ‘Arn – aholic.

Yet another year has passed and I am two days into my…..ahem….46th year here on this planet. As a gift to me for this auspicious occasion, the love of my life gave me the green light to drop a little coin on a birthday gift.

The Delta 768 10″ band saw was made between 1937 and 1943….I think….which makes this one of the more rare and very desirable machines in the vintage Delta line up.

Rare, because it was only made for those 5 or 6 years. Desirable because it is, for all intents and purposes, the exact same machine as it’s larger brother the vaunted 14″ delta band saw, but with smaller wheels top and bottom.

O.K. maybe not the exact same. But all the major components are interchangeable with the larger machine and it is bristling with all the heavy, thick cast iron that the larger capacity machine has, and then some.

Since the Delta 14″ band saw is ubiquitous, this means that most if not all of the parts that may fail on this little treasure, are easily replaceable. Nearly unheard of with a machine this old.

Add to it’s rarity and desirability that is is nice and compact which makes it a natural fit for The Tiny Shop.

Do not let it’s diminutive stature deceive you though, this machine is built … well … to last a lifetime or two. It’s just a beast for something so small in overall dimension.

I brought her home, gave her a bath, assembled her and plugged her in. As the saw ran, I began tweaking some adjustments here and there to take out some play in the blade and to see what I was dealing with as far as any needed rehab. As the machine scraped and squealed I was fearing that a total and complete strip and restoration was going to have to be done.

Imagine my joy when, the more she ran, the more smooth and quiet she became. Those old “sealed and lubricated for life” bearings were providing testimony to the craftsmanship and care with which these old tools were built before the advent of disposable tooling.

I let the saw run unloaded for a while and let her settle into a very smooth and content hum. Knowing that the blade that came with this was destined for replacement anyway, I went ahead and attempted a trial cut to see if the motor was going to have enough “umpfh” behind it, or if I were going to have to replace it. As it turns out, the thing made perfectly serviceable cuts, although at a diminished feed rate, in spite of the horribly dull condition of the blade.

Mind you, this is with the saw exactly as I got it. Un-tuned, all parts just as they came on it, and with a blade that could not cut warm butter on an August afternoon in the sun. This, not 20 minutes after having assembled the thing, rust, grunge and all.

Impressive.

Plans call for new wheel tires, thrust bearings, and some new fangled blades. A nominal outlay of dosh over and above the fire sale price that the love of my life and I paid for this.

After seeing that I was in pretty good shape here, I have decided to defer any hardcore restoration of this tool. (Disassembly, painting, parts replacement/upgrade)

The patina on her matches well with the Unisaw and the Jointer, and I can see no reason to get crazy with it’s rehab. Just whatever it takes to make it as accurate and useful as all the other tooling that I am finding a way to stuff into The tiny Shop.

Now, where should I put a lathe?

 

Writer’s Block Sucks…

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Since I had been using my poor, much overtaxed, little tablet to do the majority of my writing since starting this blog, I had a built in excuse to avoid the subject of the dreaded “Writer’s Block.”

Now that I have obtained an incredible, new-to-me, Lenovo Thinkpad, I no longer have technical difficulties as an excuse for the denial I have been wallowing in regarding the case of writer’s block I have.

So, while I have been remarkably negligent in my writing, I am now, as they say, “Back in the saddle.”

Attempting to get myself back in the game, I figured I would whip something up for this blog as a means of stirring up the creative juices, and reconnect with my muse.

Thus far, I have been somewhat mired in finishing off the equipping of The Tiny Shop, and doing some light restoration work to keep the mind and hands supple and well practiced.

I had the good fortune to find a deal on a brand new 1 1/2 HP motor for my Delta jointer, and it is now semi operational. I need to dial in the knives still, but otherwise it is fairly tuned and ready to do real woodworking finally. wpid-wp-1444014009777.jpg

 

Also, after much research and hand wringing, I decided that using the tried and true HVLP conversion set up that I had been using for years for applying finish was just not in keeping with my position on environmental responsibility. Further, It just had far too much in the way of “tweaking” that always seemed to need to be done in order to get the level of quality I wanted in a finish.

Add to that that I was planning a switch to water borne finish media, and the need for a different application tool was obvious.

 

Enter the Fuji Semi-Pro2.

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The Fuji set up is a very well regarded turbine driven High Volume Low Pressure (HVLP) system. The idea is, that with this small, self contained set up, over spray is kept to an absolute minimum,which means a significant boost in savings as it applies to material cost. Also, since there is no traditional compressor, oil, water, and other potential contaminants are no longer a worry.

Since the cup gun is stainless steel, (both the gun and the cup) I can shoot both solvent based finishes as well as water based finishes.

Word on the street about Fuji turbines is universally good. They are regarded as some of the very best finishing equipment at markedly reasonable prices. Far less than other manufacturers like Apollo, and Grayco. Bang for the buck, and considering the space limitations of The tiny Shop, this is a no brainer.

All that remains for initial equipment purchases are another router or two, a hollow chisel mortiser, and a dovetail jig.

I debated long and hard on these last two, expensive, pieces. I decided to add these to my “need to have” list because, as I have aged, hand cutting joinery has begun to take its toll on my hands/joints. As much as I enjoy hand cut joinery, I feel that from a longevity standpoint, it makes sense for me to mechanize these operations. Trust me, if I thought that I could continue indefinitely hand cutting my  joints, I would. It is a wonderful exercise in mindful woodworking. Alas, the ravages of a misspent youth and father time, are beginning to rear their ugly heads.

That, and it gives me two more tools to shop for…..so I got that going for me…..which is nice.

carl

 

 

 

As It Is Written……….

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Todays blog post is an announcement of sorts.

During the last year, especially in the last six moths or so, I have felt that The Madcap Woodwright Blog has been an awesome medium to work out various thoughts and ideas I have had of late. I hope that you who read my meandering, sometimes actually sentiant, ramblings have enjoyed the experience.

Edit to say:
The Madcap Woodwright Blog will continue. It’s a bit of an addiction, so it’s not going away any time soon.

I say this because, after a good deal of thought and much hand wringing, I have decided to sit down and write a book.

Let me say right now, that I in NO WAY  would ever compare myself to Papa hemingway. Nor would I dare to proffer the notion that I am in any way the next James Krenov of the woodworking literature world.

I am writing this book for a couple of reasons.

First, I found that I have been writing a great deal about some fairly longwinded topics here on the blog. This will continue, but I wanted to divert to the book some topics that I have raised here, but wanted to explore more fully. A book seemed a logical way to do this.

Second, I wanted to write this book because…..well…..I wanted to see if I could do it. I wanted to see if I could do it and also to see if it were any good.
I am NOT doing this to make money. However, I will be self publishing it on Amazon Kindle among other digital platforms. Currently, there are no plans for hard copy versions to be printed, but if there is a demand, the platform I am using to format the manuscript allows me to create a format file that can then be used to provide “print on demand” hard copy books too……so there is that.

So far, I have an outline…see below….and a fairly solid start on my rough draft.

I am including the outline of chapters here. The working title is “The Madcap Woodwright, A Guide To Joyfully Working Wood With Abandon”.

I would welcome any comments or suggestions any of you may have after looking over the outline below.

Be advised, this outline is the roughest of drafts of the actual outline. It is more or less just an idea “sticky pad” that I am working from currently.

Please feel free to comment/suggest or share thoughts on content. No promises that it would be included in the final manuscript, but I am nothing if not shamelessly willing to take good ideas and run with them….HEE HEE….let the fun begin.

The Madcap Woodwright

A Guide To Joyfully Working Wood With Abandon

By John D. McBride

OUTLINE:

Introduction

Chapter 1 – It Takes A Madcap

A) For the greater good-

B) Rethinking traditional views on design and woodworking

C) Why elitism sucks

Chapter 2 – Life Is Too Short – 3 “Rules” to joyful woodworking and life

Don’t sweat the small stuff

B)  It’s ALL small stuff

C)  Always remember  1&2

Chapter 3 – The Madcap Workshop – Observations On Creating A Happy Place.

The Tiny shop – Why Aesthetics Count

Tooling

Recycle-reuse-repurpose

Handwork vs. Machine Work.

B)   Discover your muse, design your shop.

Chapter 4 – The Joy Of Design

Inspiration, where to find it and what to do with it

B)   Sketch, sketch, sketch!!!!

C)   Flying by the seat of your pants, and why it’s so important.

D)   The soothing of the inner anal retentive

Order of operation

Chapter 5 – Thoughts On Success and Failure.

Reexamining and redefining

B)   Progress, not perfection, freedom to make mistakes

C)   It’s not a mistake, till’ it can’t be fixed….It can always be fixed.

D) If you are not making any mistakes, you are not doing anything.

Chapter 6 – Bizarro Economy, The Madcap Woodwright’s Natural Habitat.

How an Arts and Crafts Revival might save the world

B)   Build it, and they just might come

C)   Defining value

Chapter 7 – More Than Madcap / Expanding Into The Community.

Responsible craftsmanship

B)   Find your tribe

C)   Thoughts on pragmatism, and why it’s overrated.

Chapter 8 – Moment By Moment / Mindful Woodworking

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Mindful Woodworking… or …Gonzo Woodworking, Let Weirdness Reign

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Just as Dr. Hunter S. Thompson gave himself permission to create “Gonzo Journalism” , I have decided that I will champion the cause of Gonzo Woodworking.

Now, let it be said that my approach to this particular mutation of woodworking will be mostly focused on encouragement and exploration rather than cynicism and hallucinogens. Not that I have anything against cynicism or hallucinogens, its just that my focus is much more fixed much more on the evolution of woodworking norms rather than the journalling of their failures and hypocrisies.

The thing is, I am convinced that the woodworking community as a whole is badly in need of some fresh air. A little bit of deviance. A little bit of a shake up to see what comes of it. A little weirdness.

To be clear, I treasure and revere classic woodworking techniques. I love traditional joinery, I love traditional design. I adore a hand squared board. I covet antique hand and power tooling.

What I do not love, and what I am starting to see as an impediment of  the evolution of woodworking, is the ceaseless demand for adherence to the “Rules of Woodworking” .

“Its not woodworking unless you do everything by hand”     “Only this tool or that tool or that machine is used in true woodworking”. “Template cut dovetails are inferior to hand cut dovetails”. and on, and on.

The religion of woodworking and craftsmanship has become stale and tired. Still fun, still interesting, especially to a novice. Still a rush to the beginner tool junkie. But there is such fanaticism in most of the woodworking community. I think that this may be the result of the craft having been passed on, father to son, master to apprentice, thereby instilling rigidity.”This is the way I was taught, this is the way it has been done for centuries so it must be the right way”. I admire traditional woodworking and trust that it has it’s place. Especially as it relates to craftsmanship. There is “good” and “bad” woodworking. “Good” being woodworking that was executed with thought, attention to detail, and with abandon. “Bad” being woodworking that was done with no thought, carelessness, and with only the bottom line in mind.

Where I start wandering from the “one true path” is when woodworkers start choosing sides. Hand cut joinery verses machine cut or machine assisted, ALL hand tools/no machines verses all machines/mostly machines. Totally irrelevant.

The Gonzo in Gonzo Woodworking, is the view that a woodworker should derive joy and satisfaction from their pursuit of excellence in the design, planning, and execution of a particular project. The rubber meets the road, so to speak, as a woodworker takes his design idea and thinks it through. Edits the design for scale, function, and taking the limitations of the wood into consideration. He ensures that the concept is sound, plans the  joinery around the limitations of the medium, plans the order of operations, lays out the materials and tooling, and finally begins making sawdust.

These steps are where a bit of mindful woodworking comes in. By that I mean, it is taking each operation as an opportunity to enjoy as a “moment”. Be in the “moment” of developing the design. Be in the “moment” of cutting that dovetail regardless of the method you employ to do it.

Furthermore, and this may be another Gonzo philosophy, it is important to savor the setbacks as much as the victories. Each set back, in my view, should be viewed as opportunity, rather than failure. Life is too short to be looked through the success or failure lens. Too short indeed.

Rather, what once would be looked at as failure, could now be viewed as an opportunity to learn, an opportunity to modify, an opportunity to change. There are very few mistakes in woodworking. Very few slips that either cannot be fixed, or worked around. If, as a woodworker you find yourself staring at a project that simply cannot be reworked to satisfaction or to a level of craftsmanship that is appropriate to the task, put it in the “burn pile” and start again.

It is O.K. Give yourself permission to make the attempts regardless of the eventual outcome. Turn the table saw on and make the cut. Forget that there is potential to cut proud of a layout line. Forget that the project is on a deadline. Forget that Harry Handyman says you have to work the joinery this way or that. It is your moment to enjoy, not his.

That brings up another issue. I feel that a preponderance of the woodworking community feels that anything less than perfection is failure. Ask any craftsman about their project, and I would be willing to bet that they, if they are honest, would be able to show you exactly where things went “wrong” in its development and execution. That is if you could get them to talk about where things got sideways on them.

It is an undeniable truth of the woodworking universe that no project, and I do mean NO project goes exactly as planned. EVER. It just does not work that way. Enjoy it, don’t shy away from that little gift, because that is exactly what that is, a gift. It is the gift of imperfection that makes the project unique and therefore desirable. It is the gift of imperfection, among other things,that imparts the otherwise unobtainable feel of humanity to the piece.

That gift is, in my opinion, one of the things that makes working wood so enjoyable. To be sure, we attempt each project with the intention and the desire to work it through with no missteps, no errors, and pure perfection. Where most miss out, and only get half of what is available to them in doing so, is when they become disappointed or discouraged by a mis-reading of the tape measure or misguided stroke of steel on wood. Sure there may be a flash of disappointment, but I challenge the reader to reorient your perspective to the misstep. Change how you view it and see it as a chance to become creative in your repair or in how you decide to work around it. Once you give yourself permission to actually work wood, rather than chase perfection and only perfection will suffice, then your can relax into the moment. you can take each step, moment by moment, as something to be enjoyed and savored rather than approached with fear or with trepidation. The end result,in my experience, usually ends up being very satisfactory. The end result is one that expresses more richness than one that is built with tension or fear of failure. It is palpable, this difference between a project built out of the dogged pursuit of perfection and one that was built moment by moment.

Work the wood fearlessly, work the wood with joy and abandon.

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Mindful Woodworking…or…The Tao of Working Wood

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For several months now, I have been considering my position as The Madcap Woodwright. This meditation is partially because the Tiny Shop is still not completely prepared for full operational status. Some time ago, after having adjusted my vintage Delta jointer, its motor decided to give up the ghost. I have been searching for it’s replacement ever since. So, while I can perform a wide range of operations, and have been engaged in some light restoration work, I am still not completely ready to turn the Tiny Shop and The Madcap Woodwright loose on the world just yet.

I think that part of the issue is that, in addition to having to manage some of my tooling issues,  I am more than a little bit uneasy about starting a business based on  such a non-traditional business model.

In reality, the business model is not all that radical. However, it does attempt to diverge from more traditional models in that, it’s primary focus is less about profit, and more about sustainability and satisfaction. Not just customer satisfaction, but also personal satisfaction. The two being dependent upon each other in my view.

Recently, a reader of this humble blog posted a lovely comment on the Madcap Manifesto post I put up a while ago. Dan H’s comment can be read in its entirety at the bottom of that post.

One portion of his comment summed up nicely, the notion of working for the internal reward verses the external rewards that are normally the driving force behind most business.

QUOTE:

“If I may, I’d like to add a little of my own thoughts. To borrow an analysis from a contemporary critic of modern culture, there are goods that are “external” to a practice and goods that are “internal” to a practice. One can engage in a practice merely to acquire certain external goods; wealth, fame, influence, etc. But, such goods are not uniquely connected to the practice. They can be acquired in many different ways. That’s why they are called external goods. If one is motivated by goods external to the practice he or she naturally will seek to be efficient, to cut corners, maybe even to cheat in order to get the goods.

On the other hand, one can seek to excel in a practice in order to achieve the goods that are internal to that practice. These are goods can only be achieved by participating and attempting to excel in the practice. Moreover, such a craftsman cannot cut corners, cannot cheat, to achieve such goods; it’s simply a contradiction. And, although difficult to prove, you are dead right that one way of doing it is more satisfying. Or, in your words, “…let the joy woodworking offers stand front and center.”
END QUOTE

The root of the Madcap Woodwright’s evolving philosophy summed in that second paragraph. It is the participation and the attempt(s) at excellence that contain the promise of the inner satisfaction that I’m after. But more than that, they are only the very root. There are some ancillary issues here too.

For example, a large part of my passion is also rooted in the desire to pass the love of woodworking on to others. I feel a need to develop my views and philosophies as they relate to woodworking in general, and Madcap Woodworking in particular. As it stands right now, one of my key messages is designed to liberate folks from the high handedness and eliteist dogma that have engulfed woodworking for so long. I feel moved to encourage anyone who will listen, to give themselves permission to just …work…the….wood. Yes, by all means do so with all your best efforts, be they focused on handcut dovetails, or building a shed. By all means, read the articles in Fine Woodwroking or Popular Woodworking or what ever. By all means, explore the lives of the craftsman who have gone before us. Just don’t become bogged in their way of doing things. Feel the freedom of exploring multiple options in both design and execution.

I thank Dan H. for responding the way he did. Not so much because he agrees with me, it’s more a case of gratitude for understanding.

Making peace with the reality of the potential responsibilities that come with promoting a, some would say, progressive view of how to approach woodworking, is proving to be a little more challenging than I first imagined. Be that as it may, I realize that it promises to be as rewarding as putting together a Tiny Shop, or cutting a dovetail, or scoring some vintage bit of woodworking machinery.

This piece seems to be a bit rambling. Clearly there is still work to be done as it relates to sifting through the various thoughts and bits of evolving philisophical perspective that I have. I have a foundational idea of how I view both the art/craft of working wood the way I do, I have a seed that has been planted in my spirit. It occurs to me that the resistance, slight as it may be right now, to moving forward and opening the doors of The Tiny Shop to the public might be the exact thing that may be hindering me from solidifying these philosophies?

In any case, rest assured that more navel gazing will occur as I continue to search out that replacement jointer motor. More thoughtful pondering will be forth comming after it is repaired and I go forth to procure a lovely little Delta shaper to round out my classic machine collection. Once I finally begin actually working wood more purposefully and the doors of The Tiny Shop are finally open for business, I suspect that more of the esoteric pieces shall fall into place.

Or….

Maybe the picture will change entirely….either way, its going to be fun getting back into the saddle. It’s going to be fun to be joyfully working wood with abandon again. Stay Tuned.

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A Day In The Life … or … The spirit of James Krenov is alive and well and living in Denver.

image Now that I have made some headway on sorting the shop, my thoughts turn to just what it is exactly, I intend to do with it. Obviously, there will be much lolly gagging, and pondering over steaming cups of coffee. There will be plenty of tinkering, and tweaking, and fussing about with the machines. I can also imagine a period of building jigs, and shop cabinetry, not to mention those pieces promised to the Love of my life (LOML) once the shop is operational. After that, it is a little foggy. If I were asked what my fantasy life would be like, I would have to say that I would be quite content to stroll out to the shop early in the morning, smelling the lilac as I passed by, coffee cup in hand. I can clearly envision opening the shop up, turning on some music (perhaps Bach, or Brahms. Maybe some Miles Davis, or Duke Ellington.) and sketching something from the catalogue of project ideas I have stored up in my minds eye. Once a suitable direction has been selected, the rough dimensions and scale imagined, it is time to saunter to the lumber rack and select from the gobbs and gobbs  of North American hardwoods or perhaps something European and mysterious. Something I have yet to cut into or work with yet. Perhaps some Olive wood, or Steamed Beech. Running my hands over the rough sawn boards, I wait for one or two to speak to me. As esoteric and deluded as this may sound, I have ALMOST felt this experience as described by James Krenov in his books, from time to time in my career. The experience of being patient, and waiting for the wood to “Tell” you what it wants to be. Once the boards have been selected, it is time to begin the day by bringing these precious pieces of wood into square so that they can begin their metamorphosis from rough sawn stock, into something fine and pleasing to the touch. The anticipation of the finished piece is present, to be sure. However, there is great joy in handling the boards, discovering their grain and figure as they are milled carefully. As the day progresses, a break for a drink from a refrigerated water bottle, and a bite to eat. Mustn’t forget to feed the Koi also. I can imagine spending 20 minutes or so, munching on a sandwich, drinking cold water, and watching the Koi Hoover up every last morsel of food tossed in their pond. Once snack time is over, it is back to the shop to lay out joinery, or to take glue-up’s out of the clamps and scrape the squeeze out from the joints before preparing them for their intended use. As mid day turns to late afternoon, good headway has been made. The piece is ready to be dry fit. With the remaining time in the day, perhaps even getting the piece into glue up is possible if executed well. Should I? Or shouldn’t I? Will I have to rush through the glue up process? Or can I take my time, and allow the piece to come together, rather than bullying it into submission? Maybe there would be someone waiting to buy the piece. Someone who knows what went into it’s construction. Someone who sees the same synchronicity  between the wood itself, and the piece as a whole. This would be the ideal way to spend my days. Yes, this would be an ideal day in the life of the Madcap Woodwright. A day spent exploring my imagination, and making useful things for people to enjoy. Definitely something to work for…no question. Like me on Facebook @ Madcapwoodwright Follow me on Twitter @ mdcpwoodwright

Some Thoughts On The Modern Woodwright….OR……Chris Becksvoort Is My Hero.

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As of late, I have found it a bit difficult to sit down to tap out a post here, as has become my habit. Suffice to say, the muse has not been upon me.

That is until I began researching clamps (of all things) to use in the soon-to-be-new-to-me shop.

I remembered reading an article in Fine Woodworking Magizine some time ago, that had some pictures of one of their long time editor’s, Christian Becksvoort in his home shop.

The article was about small shops of different sizes and scale. In one of the pictures that described Mr. Becksvoort’s shop at his home in New Gloucester, Maine, there was a wall full of sturdy looking clamps. These were clamps that I had never seen before, and felt that I simply MUST have them……..as I have mentioned before, it’s a sickness.

Me being…well… “Me”, I Googled Mr. Becksvoort, and through his website sent an e-mail asking him if he would be kind enough to send me any information on those clamps if he could. (NOTE: please notice the request by him to direct any “woodworking questions” to his contact info at Taunton Press. He provides a link. I must confess that in my zeal, I did not notice this little request until AFTER I had sent the email to his business email…lessons learned, and he still took the time to respond to me. Nice guy)

Now, Christian Becksvoort is a well known name in woodworking circles. He has written books, gives workshops, edits a well known and established woodworking journal, AND finds time to produce fine, handcrafted furniture in limited quantities. In short, the man is a woodworking God to many….myself included.

So, imagine my delight when, in ten minutes time, I had received a reply from him graciously forwarding to me the contact information for the company that made his clamps. We traded a couple of emails, and that was that.

Or was it?

You see, in this day and age, it can be difficult to find a Woodwright like Mr. Becksvoort. Successful, well known, self employed, and solvent. Granted, he, like so many talented Woodwrights out there, supplements his income giving lectures, and writing, but that is only because he had made his name by hand crafting such fine pieces in the first place. The man is truly living the dream after having paid many, many dues. To me, having any expectation of getting a response from him, let alone within ten minutes, was a lot to ask. At least in my mind it was.

Anyhow, I may sound a little surprised by the personal response by one of my hero’s.  The truth is, if I really thought about it,  I shouldn’t be. Chris has a long standing reputation as a true ambassador for the art of woodworking, and also as a thoughtful and well respected “stand up” guy. I have followed his work for as long as I can remember, and can attest to this. Granted that my endorsement means very little, and that on a personal level,it is based only on three or four gushing emails traded with him in the span of an hour. Still and all, he did respond personally, and was just as gracious, encouraging, and friendly as a hero SHOULD be.

So, this begs the question, “Why so few Woodworkers like Mr. Becksvoort?” Why is it so, that so many aspiring woodworkers either never move past the hobby stage in their woodworking, or if they do try to strike out on their own professionally, fail to make a living at it? How do the Sam Maloofs, Christian Becksvoorts, and James Krenovs “make it” and others do not?

All good questions. All questions that I wish I had an answer to.

If you listen to some, you may get the idea that fine woodworking as a trade, is dead. That it is relegated to being a craft or hobby only, and that mass production and the IKEAs of the world have replaced it with disposable furniture. In some respects, and for some people, this may be true. However, for me at least, I do not think that it is asking too much of the world to make room for and appreciate finely crafted furniture. Pieces that started as a tree, and were lovingly, respectfully, and honestly worked into a table, book case,chair, or cabinet designed and built to last several lifetimes, and the people whose hands make them, surely still have value and an audience.

One of the keys to advancing this mindset, and thus securing the livelihood of present and future generations of Woodwrights,  is through connection to folks like Mr. Becksvoort. Connection with like minded artisans. It used to be that trade shows and guilds were the mainstays of this connection. Over the years, the guilds have either died off, or are only barely there, and the trade shows/craft shows have degenerated largely into not much more than living commercials for … gasp … tools and jigs that are not really NEEDED.

There is one area that has brought hope though. The internet.

The internet has been a wonderful resource not just for researching woodworking, but also for connecting like minded artisans. I belong to a handful of quality online woodworking forums. (sawmillcreek.org , woodworkingtalk.com , lumberjocks.com, etc.)These forums are an absolute treasure trove of folks who, of vastly differing skill levels and woodworking interests, gather to shoot the breeze, talk about tools, and generally be there for one another. I doubt very highly that you could ask a question on one of these forums, and not get a researched, and thought out answer. More likely, you will get several. Even more likely, you will get several DIFFERENT answers. While it may sound like getting a bunch of different answers to a question is like spinning your wheels, think about this…..

In getting several different answers to a question, you are presented not only with differing opinions and options, but also with little morsels of information  that you can use to further your search, should you not find a satisfying answer initially.
A word to the wise, if you ask a question, and get several different answers that don’t really satisfy you, go out and research what morsels you get in those answers. If you come up with an answer all your own…. go back to your original post and SHARE THAT INFORMATION.

It is through the continual sharing of information that we help keep woodworking alive. Sure, you really DO need to go out to the shop and build stuff. To spend your days writing blog posts and researching tools and blabbering about workbench design, is an exercise in mental masturbation. It feels good, but produces very little.

However, sharing information, and helping fellow woodworkers develop and grow their skills and knowledge base, is a foundational move to keeping the trade moving forward, keeping it from dying. It is through this connection with one another that we help to evolve the art of working wood in that, methods and processes, both old and new, are passed on. Questions about various joinery techniques are answered. Help with applying finishes can be had. Critiques of design ideas are available for the asking. Discussions of forestry and responsible timber harvesting, renewable forestry, and general knowledge sharing on the subject of the proper management of our forests for future Woodwrights, are all facilitated  and made much more available via the internet now.

Therefore, a simple personal response to a very simple question, asked by a VERY simple Woodwright, is indeed a hallmark of someone who values working wood not just as a means to provide for a family, but also as something worth sharing and passing on to future simple Woodwrights.

Thanks Chris.

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